The best field recording books and books about sound
This is a list of some of the books that have helped to shape and inform Cities and Memory, from how we think about field recording and documenting our sonic environment, to how we go about mapping and presenting the imagined alternative sound world of composition too.
Here are our essential reads for anyone interested in field recording, sound or sound mapping.
This list is updated on an ongoing basis to keep our library of sonic reads as fresh as possible.
Seesongs: a work book by Rosaire Appel
A book of imaginative visual scores for musicians – you can have hours of fun just imagining how these songs might sound, and the scores can most definitely be used to unblock creative dead ends.
As the author herself describes it, “The eyes look, and the eyes read. I propose they can also listen – an act different from both looking and reading.
“To explore this possibility, I have put together a book of non-linguistic, non-pictorial visual material: Seesongs. The drawings in this book are progressions of visual marks, which could be called asemic music/ notation.
‘When the eye listens, the mind sings.'”
Sound: stories of hearing lost and found by Bella Bathurst
In this beautiful and moving account of what’s it like to lose – and later regain – your hearing, Bathurst explores what it means for your hearing to slowly degrade, and interviews a range of people affected by hearing loss, including military personnel, musicians and others.
You’ll experience your sense of hearing differently once you’ve read this.
The Sonic Boom: How sound transforms the way we think, feel and buy by Joel Beckerman
A fascinating take on sound from the perspective of companies, manufacturers and – crucially – consumers.
The Sonic Boom takes us on a journey from the psychology behind the Apple startup sound and the painstakingly-crafted sound of car doors slamming to consider how sound influences our daily lives in ways we might not realise.
A History of the World in Twelve Maps by Jerry Brotton
This isn’t just a list for field recordists, but also for those with an interest in sound mapping – so a couple of entries around mapping are more than worth their place.
This epic by Jerry Brotton is more than just a tour of cartography through the ages, but more a tour of how man has perceived the world and gone about portraying and picturing it.
Investigating the concept that there is no such thing as an unbiased, purely descriptive map, Brotton starts with the earliest works from the likes of Ptolemy, ending with Google’s attempts to map all known lands (and more), giving a fascinating insight into what constitutes a map, and what picture of the world different cartographers are trying to paint with their own efforts.
And we, the sound mappers – what view of the world are we presenting?
Silence: Lectures and Writings by John Cage
“I believe that the use of noise to make music will continue and increase until we reach a music produced through the aid of electrical instruments which will make available for musical purposes any and all sounds that can be heard.”
A wonderful tour through John Cage’s essential, groundbreaking philosophy of sound, noise and music – prophetic, sure, but just as mind-expanding to read now as it was then.
Invisible Cities by Italo Calvino
There’s a special place on the list for Invisible Cities, which was one of the original inspirations for Cities and Memory, and indeed from which the project takes its name.
Here, Marco Polo recounts his global travels to Kubla Khan, telling of fantastically-named cities with even more fantastic defining features, described in exotic, evocative detail.
As the conversation between the two goes on, it becomes clearer that Polo is simply describing his own home city of Venice in increasingly vivid terms.
This book is partially about perception of place, and how one place can be many things to different people at different times.
Your perception of a place is not the same as mine, so we are all living in an infinite range of possibilities, even within one city.
This wonderful book sparks off so many ideas and so much inspiration every time I read it.
Mapping Manhattan by Becky Cooper
An artist distributes blank outlines of Manhattan to a selection of random New Yorkers, asking them to contribute their version of Manhattan.
The result is a fascinating look at our own perceptions of place and our different experiences of the same place, by turns moving, poignant and hilarious.
Here, a visual or verbal experiment in place and mapping provides useful inspiration through which we can consider what role field recording plays in the documentation and representation of place.
Sonic Wonderland: A Scientific Odyssey of Sound by Trevor Cox
Professor Cox travels the world listening to its most amazing sounds in its most fascinating places so you don’t have to, the lucky devil.
He slides down Egyptian sand dunes, making them vibrate and sing, drives along roads that play the William Tell Overture, and visits magnificent palaces and sites of natural beauty to hear them sing.
His enthusiasm throughout is infectious, and his exploration of the science and acoustics behind each phenomenon robust enough for the audiophile but more than accessible enough to give a casual reader a passion for sound.
The Book of Legendary Lands by Umberto Eco
Eco’s Book of Legendary Lands is a coffee-table bible of imaginary locations, all united by the fact that someone at some time believed these places to be real.
From Atlantis to Eden via Marco Polo’s explorations of monster-infested waters (appropriate given our next entry), it’s an extraordinary book to dip in and out of, exploring some of these utopias, dystopias and places of belief and of hope.
I’ve found it valuable in giving an alternative perspective on what place means, and how our attitudes and beliefs change our environment.
Uneasy Listening: Notes on Hearing and Being Heard by Anouchka Grose and Robert Brewer Young
A testament to the unexpected chemistry of people from different backgrounds tackling the same subject, here the combination of a psychoanalyst and a violin maker gives us a fascinating dialogue on listening from two unique angles.
Sometimes more of a rumination or meditation than a roadmap or straightforward narrative, it’s worth giving your time up to join them on the journey.
Sounds Wild and Broken by David George Haskell
How about a book that covers the whole sweep of the history of sound, from the first primal cell sounds all the way through to today’s modern conurbations and beyond? David George Haskell has you covered with this extraordinary overview of natural sounds, all evocatively described with some beautiful lyrical chapter openings.
An essential read for anyone interested in natural soundscapes, the threats posed to them every day by humanity – and what we can do to preserve those sounds (and what they represent) in the future.
A Book of Noises by Caspar Henderson
Or – an encyclopedia of the wonder of sound, as Caspar Henderson coins the term “auraculous” to describe the sonic wonders of the world.
This tour takes in the history of sound and noise, from the cosmophony of sounds in space, through the geophony of thunder and volcanoes and the biophony of the animal kingdom, ending up with an exploration of anthropophony (human-made sounds) via earworms, sound healing and the sounds of climate change.
You can dip into the entries you find most enticing, or take in the whole volume – either way, it’s an arresting collection of the sonic stories that make up the soundscapes of our world.
Noise: A Human History of Sound and Listening by David Hendy
Developing some of the ideas from Schafer’s soundscapes, David Hendy looks at the idea of noise abatement as a negative process (ban this sound! Make this noise quieter!) and how we can instead focus on positive sounds and noises and preserve our sonic environment.
In doing so, he provides a whistle-stop tour of what has constituted noise in human society from prehistory to the present day, and how we should be changing our perceptions of what noise is, and what needs to be done about it.
All sound is music, after all.
The Universal Sense: How Hearing Shapes the Mind by Seth Horowitz 
Horowitz’s book looks in great detail at hearing, and more specifically how it is wired into our brains and consciousness, and how it changes our perception of the world.
Exploring the natural world, and answering questions like why songs get stuck in our heads and why some sounds are outright painful to hear (fingernails on a chalkboard, anyone?).
An essential read to help us understand how sound affects who we are.
Metaphonics by Stuart Hyatt
Full disclosure – this book contains a contribution by Cities and Memory!
This is a wonderful collection of essays accompanying a seven-album box set of Stuart Hyatt’s Field Works project, which combines field recordings and music in beautiful and extraordinary ways.
The essays cover the themes of biophony (the noise made by animals), geophony (the sounds of the Earth), anthrophony (the noise made by people) and even cosmophony (the sounds of space) with a range of excellent contributors.
Silence in the Age of Noise by Erling Kagge
In a time of constant, overwhelming input (both visual and audio), a book that celebrates silence is a great source of joy.
This short, meditative book looks at the role silence plays in our lives, and how by appreciating it we can get a lot more out of the sounds that surround us every day, and identify those that make the most positive changes in our lives.
Sing Like Fish by Amorina Kingdon
A quite wonderful undersea exploration of how aquatic life in all its forms uses sound, covering all the bases from the beauty and emotion of whale song through to the clicking of shrimp, and even recent discoveries about how coral can use sound.
The book also offers strong warnings about the impact of human-made noise on our seas and oceans, and what we might do about it. Every chapter is full of wonderful discoveries.
The Great Animal Orchestra by Bernie Krause
Not simply about the sounds made by the natural world around us, Krause’s tour de force takes in the tension between human domination and the natural soundscape, and how the sounds of nature have been the basis for all that we know as music.
He introduces and explores the concepts of biophony (sounds made by non-human creatures), anthrophony (human-generated noise) and geophony (the sounds of the world around us) to fascinating effect.
A book that makes you hear the world differently.
Ways of Hearing by Damon Krukowski
A halfway house between John Berger’s Ways of Seeing (from which the title obviously takes inspiration) and Marshall McLuhan’s The Medium is the Massage, but taking us down a sonic route. This is a tour de force exploration of how we listen and hear, from how we explore and enjoy music to how we experience noise and the sound of the world around us.
In The Field: The Art of Field Recording by Cathy Lane and Angus Carlyle
Or: how to get 20 completely different perspectives on field recording in a few hours.
Lane and Carlyle’s choice of recordists and artists is superb, from Ian Rawe’s indefatigable archiving of the sounds of London to Jana Winderen’s icy artistic explorations, it’s a deep look not just at attitudes to field recording or techniques, but to the very philosophy and impulses that drive those who are doing the most interesting work, well, in the field.
The Medium is the Massage by Marshall McLuhan and Quentin Fiore
Every time I open this, I’m once again blown away by how fresh, relevant and even contemporary this seminal media text seems – this really is some amazing thinking.
And as for sound, it comes under the McLuhan microscope as much as any other medium, examining how the sound world is a “world of simultaneous relationships” and considering the unjustified preeminence of the visual over the audio.
Ears to the Ground: Adventures in field recording and electronic music by Ben Murphy
A highly entertaining and inspiring account of musicians around the world bringing field recording into their (primarily electronic) work.
From the big names in field recording like Chris Watson or Kate Carr to some major musical players like Matmos, Scanner and Leafcutter John, it’s the perfect read for anyone working in sound as a creative medium.
And as an added bonus, there’s a whole chapter about Cities and Memory!
Quantum Listening by Pauline Oliveros
A manifesto for listening as activism, this slim volume is a quick read, but one which could change your perspective on sound and listening forever. This is how listening can sit alongside technology and spirituality to form a framework by which we can live better. A must-read.
An Attempt at Exhausting a Place in Paris by Georges Perec
Perec documents everything unextraordinary that happens in a typical day in an average square in Paris.
Over three days, he notes the people, the traffic, the animals, the behaviours, the subtle shifts in sky, light, weather and mood that produce the daily rhythms of any urban space.
In doing so, he creates a kind of proto-manifesto for the field recordist through this heroic ‘verbal field recording’. An Attempt even inspired us to create our own sonic version of the experiment.
Honk, Conk and Squacket by I. M. Rawes
The subtitle of this one tells you all you need to know: “Fabulous and forgotten sound-words from a vanished age of listening”.
A labour of love by the much-missed Ian Rawes of the London Sound Survey, this is a fascinating whistle-stop tour of lost words related to sound, noise and listening from a bygone age, from “quobble” (the noise water makes as it boils) to rumpum-scrumpum (a musical instrument made with a board, a tin can and some string).
Hours can be lost exploring these wonderful words.
The Art of Noise: Destruction of Music by Futurist Machines
OK, the Futurists definitely had some opinions that were quite wrong, to say the least, but they gave some serious thought to the role of noise and music. Russolo’s contribution, The Art of Noises, invites us to listen again to noise, and to employ it as a creative medium.
Read this and you’ll be off to build your own intonarumori, no doubt about it.
The Soundscape by R. Murray Schafer
This is the granddaddy of field recording books, an absolutely seminal work.
Although some of the material is understandably a little dated now (the book dates from the 70s), the concepts it introduces are as vital and fresh now as then, from the idea of lo-fi vs. hi-fi soundscapes through to how to ‘clean’ your hearing out, how to take a sound walk and a positive, not negative approach to the soundscape and noise abatement.
No one who’s embarking on field recording – or any consideration of the sounds of the world – should miss out on reading this.
A pocket atlas of remote islands by Judith Schalansky
A book for global travellers, written from one place – in fact, the subtitle is ‘fifty islands I have not visited and never will’. Schalansky explores the globe from her home, picking out fifty of the world’s remotest locations, from the well-known like Easter Island, to barren, inaccessible rocks.
Based around historical events and facts, she conjures up fifty stories rich in descriptive power and imagination to bring these locations vibrantly to life.
Beautifully illustrated and conceived, it’s a must-read for those interested in exploring places from a distance.
Transcendent Waves by Lavender Suarez
A primer for using listening as a method for creative practice, in whatever form that means for you.
From using sound to access memory to getting yourself into a sonic flow state and considering the roles of silence and noise in your life, it uses listening as a jumping-off point for creativity of all kinds. Worth having on your desk as a creative pick-me-up.
The Sound Atlas by Michaela Vieser and Isaac Yuen
A wonderful tour of the amazing sounds of our world, coming full circle as it begins with the harmony of the universal spheres, then by the end launches us out onto the Voyager mission.
In between, we explore Aeolian harps, singing sands, the Taos hum, colossal foghorns and even sonic warfare. It’s an inspiring journey that you can dip into for fun, or plunge through from start to finish.
