SANCTUARY

A call for artists from Cities and Memory and the Schwarzman Centre, with
Edmund de Waal

On Saturday 28 November, writer and artist Edmund de Waal will be curating a very special Day of Psalms as part of the Schwarzman Centre in Oxford’s Cultural Programme, and Cities and Memory artists are invited to take part in a special commission as part of the event. 

 

Together, we will create a long-form sound installation that expresses the essence of “sanctuary” – where sanctuary can be found, how it sounds, and what it feels like. 

The final work will be presented in the Schwarzman Centre Black Box in November, as a sonic accompaniment to an exhibition of Edmund de Waal’s another hour.

About the installation

Edmund de Waal will be exhibiting his installation another hour in the Black Box Performance Lab, a state-of-the-art space at the Schwarzman Centre designed for research, experimentation and immersive performance.

The Sanctuary sound installation will accompany and complement the another hour installation in this space, running for a total of eight hours on the Day of Psalms. The installation will follow the hours of the day, moving seamlessly from dawn at one end to dusk at the other.

The final selection will also be presented on a sound map on Cities and Memory, as well as in the physical space in November.

About your composition

The commissioned pieces will be longer-form compositions, which should run for between 10 minutes minimum and 20 minutes maximum.

Submissions must also - as far as possible - take into account the physical space in which the installation will take place. We are looking for compositions that complement the space, the installation and the Day of Psalms concept, rather than intrude or clash. We will provide images of the installation and of the space to help guide you in this respect.

Submissions must contain at some point a field recording (or an excerpt thereof) that represents the place of sanctuary you are describing in sound.

This will allow us to present the final selection on a sound map on Cities and Memory in perpetuity as an online showcase, as well as in the physical installation on the day.

The pieces will be blended together into one long-form, seamless sound installation.

Taking into account the points above, and bearing in mind that the pieces should blend together and complement the physical experience of being in the space, the style and composition is completely open - you are free to bring in music, instrumentation, vocals, spoken word, other recordings etc. as you see fit.

How to take part

The callout is now closed, and the project will launch on 28 November 2026.

About the
Day of Psalms

The Day of Psalms is a unique day running from dawn to dusk celebrating the Psalms as songs of exile, diaspora, and devotion.

"The psalms are songs of exile — sung, recited, remembered, prayed, danced and translated across centuries and across cultures. They are central to all three of the Abrahamic religions, have inspired music, poetry, sacred art, dance. This is a day that celebrates this plurality, one history reaching out to another, a palimpsest of voices." – Edmund de Waal

From Steve Reich to Paul Celan, Hebrew to Arabic, and across music, poetry and visual arts, this day curated by writer and artist Edmund de Waal invites many voices into our shared spaces, echoing lament and joy, solitude and community, in a tapestry of cultures and histories spreading throughout the Centre.

 

Alongside a selection of Edmund de Waal’s artwork, the day will include free and ticketed activities and pop-up performances, including the dynamic Colin Currie Group performing Steve Reich’s Tehillim, followed by Aurora Orchestra performing Bernstein’s Chichester Psalms with the BBC Singers.

 

Here’s what Edmund himself says about the reason he wanted to work with the Cultural Programme to create this Day of Psalms:

 

“When I had the idea of threading a day through some of the spaces of the Schwarzman Centre, I thought of how the psalms work as songs of exile from the city and have become powerful expressions of loss and diaspora. The psalms are songs that move between the singular and the plural, the solitary voice and the tribal, from anger to despair and lament to joy: ‘By the rivers of Babylon I sat down and wept as I remembered…’ to ‘I will dwell in the house of the Lord forever’. The Schwarzman Centre will be filled with people from different communities inhabiting and sharing their own cultures of the psalms.

 

“This is personal. I grew up in cathedrals, first Lincoln and then Canterbury, as part of a clergy family. I heard the psalms as part of the day-to-day rhythm of the services: they were embedded in Matins in the morning and Evensong at the end of the afternoon, the echoes of the great monastic series of Seven Offices that spanned the day and the night before the Reformation. My brothers and I used to borrow a key at night and explore the cathedral, the floodlights bringing strange itinerant shadows into the building. One memorable night forty years ago we heard the monks from the Abbey of Bec in Normandy sing the psalms in Canterbury Cathedral for the first time in five hundred years.

 

“The psalms are songs of exile — sung, recited, remembered, prayed, danced and translated across centuries and across cultures. They are central to all three of the Abrahamic religions, have inspired music, poetry, sacred art, dance. This is a day that celebrates this plurality, one history reaching out to another, a palimpsest of voices.”

About the Schwarzman Centre

The Schwarzman Centre at the University of Oxford is a stage set for boundless creativity. Under one remarkable roof, academia and culture are breaking a new kind of common ground – bringing seven humanities faculties and research institutes together with world-class libraries, collections, exhibitions, cinema, music, theatre, and performance. Based at the University of Oxford, open to all. 

 

Cities and Memory are working together with the Schwarzman Centre on several upcoming projects. 

 

https://www.schwarzmancentre.ox.ac.uk