“This piece explores the pain and longing of an existence situated across the water from Utopia. What happens at the fringes of the utopian dream? By convolving field recordings of Northern Saskatchewan through an autoharp, “E1″ offers a wistful glimpse of the liminal spaces at the edge of the map.”
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"As this wave from memories flows in, the city soaks it up like a sponge and expands. A description of [the city] as it is today should contain all [the city's] past. The city, however, does not tell its past, but contains it like the lines of a hand, written in the corners of the streets, the gratings of the windows, the banisters of the steps, the antennae of the lightning rods, the poles of the bags, every segment marked in turn with scratches, indentations, scrolls."
- Italo Calvino, Invisible Cities
Grand Prix winner and Coup de Coeur winner, Académie Charles Cros
