“The deep noise in the first 7 minutes is a sound of a chain rattling but played in the lower octaves and suitably treated – I wanted to suggest that some fantastical large sea creature was moving off shore. I also added what sounds like ships horns in the distance towards the end of the piece.”
As part of our overall Sound Waves project, 38 sound artists from around the world have submitted a field recording and reimagining of water somewhere in the world: ocean, river, lake, stream, swimming pool, boiling kettle, splash of a puddle – anything in which water is the defining sound. These reimagined sounds have been recomposed and re-edited by Cities and Memory into this 30-minute mixed sound piece incorporating many of the sounds in a new context.
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"As this wave from memories flows in, the city soaks it up like a sponge and expands. A description of [the city] as it is today should contain all [the city's] past. The city, however, does not tell its past, but contains it like the lines of a hand, written in the corners of the streets, the gratings of the windows, the banisters of the steps, the antennae of the lightning rods, the poles of the bags, every segment marked in turn with scratches, indentations, scrolls."
- Italo Calvino, Invisible Cities
Grand Prix winner and Coup de Coeur winner, Académie Charles Cros
