Now that the Protest and Politics project has launched, we’d like to take the time over a series of posts to let some of the individual highlights from the project shine through, and allow artists the time to explain how they went about reimagining the sounds of protest. We’ll start with one of my favourites, […]
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"As this wave from memories flows in, the city soaks it up like a sponge and expands. A description of [the city] as it is today should contain all [the city's] past. The city, however, does not tell its past, but contains it like the lines of a hand, written in the corners of the streets, the gratings of the windows, the banisters of the steps, the antennae of the lightning rods, the poles of the bags, every segment marked in turn with scratches, indentations, scrolls."
- Italo Calvino, Invisible Cities
Grand Prix winner and Coup de Coeur winner, Académie Charles Cros
