“I used the recording of the Heidlberg Platen T as the percussive backbone of the music. I cut the field recording into sections and spliced parts together, breaking the rhythm of the machine by leaving an odd timed pause before the clunk of the arm coming to rest on the final beat of the bar.”
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"As this wave from memories flows in, the city soaks it up like a sponge and expands. A description of [the city] as it is today should contain all [the city's] past. The city, however, does not tell its past, but contains it like the lines of a hand, written in the corners of the streets, the gratings of the windows, the banisters of the steps, the antennae of the lightning rods, the poles of the bags, every segment marked in turn with scratches, indentations, scrolls."
- Italo Calvino, Invisible Cities
Grand Prix winner and Coup de Coeur winner, Académie Charles Cros
