“This work is based on an ancient Breton legend of the Island of Ys. In my piece I have taken up the thought that the church depicted in my corner of Utopia would someday suffer the same fate, and may perhaps be the very same place. I imagined it not yet sunken into the ocean, but still standing precariously high above the waves, alive with the sounds of religious service.”
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"As this wave from memories flows in, the city soaks it up like a sponge and expands. A description of [the city] as it is today should contain all [the city's] past. The city, however, does not tell its past, but contains it like the lines of a hand, written in the corners of the streets, the gratings of the windows, the banisters of the steps, the antennae of the lightning rods, the poles of the bags, every segment marked in turn with scratches, indentations, scrolls."
- Italo Calvino, Invisible Cities
Grand Prix winner and Coup de Coeur winner, Académie Charles Cros


