We’d love to hear from you, whether you’d like to submit a sound, have an idea for a collaboration or an article, or would simply like to know more about the project.

Please send us a message using the contact form below or email stuart (AT) citiesandmemory (DOT) com:

Submit your sounds

We’d love to have your submissions to Cities and Memory, wherever you are in the world. You can submit sounds directly to our Dropbox account using this link.

You can send us a field recording, a reimagined sound or both: submission guidelines are over here.

Email list

 Join our email list if you’re interested in taking part in our upcoming, regular sound projects, and get a free album of some of our best sounds.

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Subscribe for the latest sounds

Subscribe to the latest Cities and Memory sounds via our iTunes podcast.

What is Cities & Memory?

Remixing the world one sound at a time

Cities and Memory is a global field recording & sound art project that presents both the present reality of a place, but also its imagined, alternative counterpart – remixing the world, one sound at at time.

Every location on the sound map features two sounds: the original field recording of that place, and a reimagined sound that presents that place and time as somewhere else, somewhere new.

The listener can explore places through their actual sounds, to explore reimagined versions of what those places could be – or to flip between the two different sound worlds at leisure.

A world of sounds

There are currently more than 1,800 sounds featured on the sound map, spread over more than 70 countries.

The sounds cover parts of the world as diverse as the hubbub of San Francisco’s main station, traditional fishing songs on Lake Turkana, the sound of computer data centres in Birmingham, spiritual temple chanting in New Taipei City or the hum of the vaporetto engines in Venice.

The sonic reimaginings or reinterpretations can take any form, and include musical versions, recomposed ambient music, rhythm-driven electronica tracks, vocal cut-ups, abstract noise pieces, layering of different location sounds and much more.

The project is completely open to submissions from field recordists, sound artists, musicians or anyone with an interest in exploring sound worldwide – almost 400 contributors have got involved so far.

Several times per year, we also present special global collaborations exploring an area of sound and place in great detail.

Introducing Cities and Memory

Contributing artists


Countries mapped

Total listens

Who is Cities and Memory?

Stuart Fowkes, a sound artist and field recordist from Oxford, UK, is the founder of Cities and Memory.

From a background of more than ten years using field recordings to give context to musical composition, he created Cities and Memory in 2014.

He has recorded many of the field recordings and produced many of the project’s reimagined sounds, and curates contributions to and collaborations with the project from all over the world.

Cities and Memory has been exhibited both in the UK and internationally, and Stuart has spoken on sound and related issues at conferences across Europe.

Frequently asked questions


  • How are you funded?

    We’re not! Cities and Memory is a labour of love, done in our spare time – we’re very grateful to everyone who’s contributed a field recording, a reimagined sound, or any comments and support.

  • Who runs Cities and Memory?

    Cities and Memory is created, curated and developed by Stuart Fowkes, a sound artist and musician from Oxford, UK.

    From a background of ten years using field recordings to give context to musical composition, he launched Cities and Memory in early 2014. He is heavily involved with arts and music in the city of Oxford, and is a trustee of Oxford Contemporary Music.[/toggle]

    Contact us & get the latest sounds

    Want to know more or get involved? Drop me a line!

    Subscribe to the latest Cities and Memory sounds via our iTunes podcast.

  • What’s the copyright on the sounds?

    The sounds recorded and reimagined for Cities and Memory and presented on the sound map and on our Audioboom channel are licensed to the Cities and Memory project by individual contributors – every contributor retains the original copyright of their sound. The sounds may not be used for purposes outside of the Cities and Memory project without the explicit permission of the copyright holder. We offer up new field recordings from our database for free use as part of Cities and Memory, but they may not be used for other purposes without prior permission. If you’d like to use any of our sounds (field recordings or remixes) for any purpose, please get in touch.

  • Who produced/created all the sounds on the site?

    Unless otherwise stated, field recordings and memory versions were created and composed by Cities and Memory – every field recording and reimagined sound contributed by someone external is clearly and individually credited. You can find a full list of contributors here.

  • Who has contributed to Cities and Memory?

    We’ve had more than 350 contributors so far – some have sent in field recordings and reimagined sounds especially for the project, others have adapted sound projects they’ve already been working on. Some have sent in field recordings on their own, and others have remixed sounds from our catalogue of locations.

    They’ve come from as far afield as the USA, the Arctic Circle, India, South Africa – all over the world! There’s a full list of contributors over here.

  • I’d like to reimagine some sounds, but I don’t have any field recordings of my own. Can I get involved?

    Yes – drop us a line, and we can send over a link to a selection of field recordings from our bank of recordings for you to reinterpret.

  • I’d like to contribute a field recording but not a reimagined sound. Can I still take part?

    Yes. While it’s great for contributors to submit two sounds, we can take on your field recordings and produce a ‘memory’ version ourselves or pass them on to our community of sound artists, so please do submit them. However, we currently have a queue of dozens of sounds waiting to be reimagined, so if you do submit a field recording on its own, it might be a few weeks before we can get to it.

  • How do I go about reimagining a sound?

    There are many approaches you can take, the most basic being simply to edit, filter and add effects to the existing sound, then save it! You can be as simple or as complex as you like – you could even take the original sound and add some of your own music to it, without editing the sound at all. There’s a list of simple and free tools for editing sounds over here. Even if you felt inspired, for instance, to record yourself reading a poem over the original, that would be equally valid. The most important thing is to reflect your own personal interpretation of that sound. There’s a good summary of some of the many creative approaches other artists have taken to reimagining sounds here.

  • What do you need me to provide?
    • We need the location of the sound, as precisely as possible. If you can provide a map/lat-long reference, then great – if not, then a link on Google maps, for instance, or a fairly detailed description will do (e.g. ‘the corner of X street and Y street in Z town’).
    • An indication of the date the recording was made is great too, even if only month and year. Places – and their sounds – change over time, and it’s important to reflect that.
    • What would also be brilliant – but isn’t 100% necessary – is a photo of the location, which really helps to get the sense of place across and makes everything look nicer!
    • If you’d like to write an accompanying blog post/blurb about your sound, that would be very welcome but isn’t mandatory. It’d be nice to hear about where you were, what inspired the original recording, and what inspired the approach for the reimagined version. We’re happy to publish accompanying material you’d like in the blog alongside the sound, and our readers really like to know the thoughts and inspiration behind the reimagined sounds.
  • You’ve already got a recording from my location – can I still contribute?

    Of course! The more comprehensive a sound map of an area, the better! And places change over time, so sounds recorded in the exact same place at different times are very valuable too.

  • Are there any rules about what I can do with the sound for the reimagined ‘memory’ version?

    No – only that the reimagined/remixed version must be composed from or contain the original sound sample in some form. Some sounds are made entirely from the original sample with no external sounds, just manipulation and/or layering of the original – others are musical/tonal compositions that merely contain the original sound in some form. Musical, experimental, subtle or abstract – it’s your reimagining of the sound that’s important. There’s a good summary of some of the many creative approaches other artists have taken to reimagining sounds here.

  • I don’t have expensive microphones and recording equipment! Can I still take part?

    Yes! Several of the sounds on the site already were recorded by simple mobile phone recording apps, which can produce surprisingly good quality recordings in the right conditions. Photographers often say that the best camera is the one you have on you at the time – it’s the same for field recording. Better to get the sound in any form than not at all!

  • Is there a deadline?

    No – Cities and Memory is an ongoing work, so there’s no deadline for submissions. We do run individual projects every few months, which do have deadlines attached to them, but you can always submit sounds to the overall Cities and Memory sound map.

  • How long does my recording or piece have to be?

    The only time limit at present is that clips are limited to 20 minutes each. We think this is long enough to give you enough scope to play with for both field recording and remix.

  • How can I get involved?

    We’d love to have any contributions! Please see the submit your sounds page for how to send them in. You can submit sounds directly to us at this link, or email a Dropbox/WeTransfer/Google Drive/another download link across to submit a sound. Alternatively, you can even submit direct via our Audioboom channel.