“The structure and mood of the piece represents what Big Bear Lake is for me; a great place to get away from Los Angeles in order to return to the city relaxed and with a fresh perspective. The piece starts off in one place, goes to another more sparse and mellow place, then returns where things are the same, but slightly different and perhaps more clear.”
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"As this wave from memories flows in, the city soaks it up like a sponge and expands. A description of [the city] as it is today should contain all [the city's] past. The city, however, does not tell its past, but contains it like the lines of a hand, written in the corners of the streets, the gratings of the windows, the banisters of the steps, the antennae of the lightning rods, the poles of the bags, every segment marked in turn with scratches, indentations, scrolls."
- Italo Calvino, Invisible Cities
Grand Prix winner and Coup de Coeur winner, Académie Charles Cros
